This first picture uses the key light technique. The high contrast attribute of the picture make possible the coming into life of the ‘spiritual’ inclination of the picture and not because of the object itself. The shadow effect contributes to the solemnity of the picture as well as brought by the degree of light diffusion. The object’s position reflects a single source of lighting yet produces a dualistic effect whereby the picture is clearly demonstrating the difference between the dark side and bright side. Its charismatic effect is because of the shallow dark shadows and light that comes from a specific angle. As such, there are no conflicting components that can be seen in the picture. In the entirety of the image, it can be said that there are variations of light intensity in different parts of the image. Though excessive contrast is achieved, lighting control is but minimal.   


 


 


 



 


 


Fill light technique was used. The lighting set-up of this picture is very impressive as it can produce a texture that could make people think of the sandy beach. Actually, this picture is taken above an office table near the window. The source of light is the sun. There are no miscellaneous objects giving any audience the sense of simplicity but also making you think of what will happen next. The object is a man-made turtle figurine, an aesthetic figure but the tonal range makes it seem natural at first glance. But looking from the shadow and effect of sun’s light, the object seems real. Nonetheless, the sheen at the back of the object can make you think twice and be deceived. The effective amount of diffusion enabled the creation of more personal mood. As well, impressive secularity and progressive subject coloration is achieved.   


 


   


 



 


The main feature of this picture is the uniform illumination that is responsible for the equal distribution and intensification of colors. Though the xylophone is slantingly placed above a table with lighter color, the contrasting effect makes the main object to stand-out. The happy mood created and the aliveness by the object is central on efficient angling of lighting. Though a single source of light was used, it is hard to pinpoint where the source of light is exactly placed. The elevation of the light source is responsible for this. Nevertheless, this light is strategically placed at the front to create the disappearing effect thus making the primary object effective and the background object contrive. Though surface reflectivity is evident, there is the noticeable spot intensity that gives meaning to variations at a grater extent mainly due to the maximum f value.  


 


 


 


 


Bibliography


 


Buff, P. C. Lighting for Still Photography. Retrieved on 23 April 2008 from http://www.alienbees.com.                                       


 


Langford, M. (1998). Advanced Photography. Focal Press.


 


Loeb, G. E. & Gans, C. (1986). Electromyography for Experimentalists. University of Chicago Press.



Credit:ivythesis.typepad.com


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